Amanda Cachia - Amanda Cachia is an independent curator and writer from Sydney, Australia.

Link to Map of Blood

W

Writing

Map of Blood

Link to Hysterical Bodies: Disabling Normative Behavior in Contemporary Art

E

Event

Hysterical Bodies: Disabling Normative Behavior in Contemporary Art

Mar 06–07, 2015 | San Diego, CA

Link to What Can a Body Do?

C

Curating

What Can a Body Do?

Link to Curating Loose Definitions: Inspiration “outside” the Canon

W

Writing

Curating Loose Definitions: Inspiration “outside” the Canon

Link to Blind Orientations: Walking, Stumbling and Turning Towards New Points of View

W

Writing

Blind Orientations: Walking, Stumbling and Turning Towards New Points of View

Link to Disability, Curating and the Educational Turn: The Contemporary Condition of Access in the Museum

W

Writing

Disability, Curating and the Educational Turn: The Contemporary Condition of Access in the Museum

Link to What Can a Body Do? Investigating Disability & Contemporary Art

E

Event

What Can a Body Do? Investigating Disability & Contemporary Art

Feb 17, 2012 | San Francisco, CA

Link to Art 1 – Art History: Ancient to Medieval

T

Teaching

Art 1 – Art History: Ancient to Medieval

Link to ‘Disabling’ the Museum

E

Event

‘Disabling’ the Museum

Mar 12, 2015 | Birmingham, UK

Link to Art 5 – History of Non-Western Art

T

Teaching

Art 5 – History of Non-Western Art

Link to The Art of Image Description

E

Event

The Art of Image Description

Feb 21–24, 2018 | Los Angeles, CA

Link to The Alterpodium: A Performative Design and Disability Intervention

W

Writing

The Alterpodium: A Performative Design and Disability Intervention

Link to Automatisme Ambulatoire: Hysteria, Imitation, Performance

C

Curating

Automatisme Ambulatoire: Hysteria, Imitation, Performance

Link to Art 2 – Art History: Renaissance to Contemporary

T

Teaching

Art 2 – Art History: Renaissance to Contemporary

Link to LOUD silence

C

Curating

LOUD silence

Link to Disability and/as Artistic Practice

E

Event

Disability and/as Artistic Practice

Nov 09, 2016 | Chicago, IL

Link to The Flesh of the World

C

Curating

The Flesh of the World

Link to Curating California: Expanding African American Art

W

Writing

Curating California: Expanding African American Art

Link to Along Disabled Lines: Claiming Spatial Agency through Installation Art

W

Writing

Along Disabled Lines: Claiming Spatial Agency through Installation Art

Link to Art 7 – Women Artists in History

T

Teaching

Art 7 – Women Artists in History

Link to Disabling Surrealism: Reconstituting Surrealist Tropes in Contemporary Art

W

Writing

Disabling Surrealism: Reconstituting Surrealist Tropes in Contemporary Art

Link to The Flesh of the World: An Empirical Turn toward Complex Embodiment

W

Writing

The Flesh of the World: An Empirical Turn toward Complex Embodiment

Link to Curating New Openings: Rethinking Diversity in the Gallery

W

Writing

Curating New Openings: Rethinking Diversity in the Gallery

Link to ‘Disabling’ the Museum: Curator as Infrastructural Activist

E

Event

‘Disabling’ the Museum: Curator as Infrastructural Activist

Mar 30, 2016 | London, UK

Link to “The Phenomenology of Vision,” in Second Sight: The Paradox of Vision in Contemporary Art

W

Writing

“The Phenomenology of Vision,” in Second Sight: The Paradox of Vision in Contemporary Art

Link to Bearing Gifts: The Myth of Pandora

W

Writing

Bearing Gifts: The Myth of Pandora

Link to Sweet Gongs Vibrating

C

Curating

Sweet Gongs Vibrating

Link to ‘Disabling’ the Museum: Curator as Infrastructural Activist

W

Writing

‘Disabling’ the Museum: Curator as Infrastructural Activist