Amanda Cachia - Amanda Cachia is an independent curator and writer from Sydney, Australia.

Link to Sweet Gongs Vibrating: The Politics of Sensorial Access

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Writing

Sweet Gongs Vibrating: The Politics of Sensorial Access

Link to The Flesh of the World

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Curating

The Flesh of the World

Link to What Can a Body Do?

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Curating

What Can a Body Do?

Link to ‘Disabling’ the Museum: Curator as Infrastructural Activist

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Event

‘Disabling’ the Museum: Curator as Infrastructural Activist

Mar 30, 2016 | London, UK

Link to Curating Loose Definitions: Inspiration “outside” the Canon

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Writing

Curating Loose Definitions: Inspiration “outside” the Canon

Link to Blind Orientations: Walking, Stumbling and Turning Towards New Points of View

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Writing

Blind Orientations: Walking, Stumbling and Turning Towards New Points of View

Link to Mapping hearing impairment: sound/tracks in the corner space

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Writing

Mapping hearing impairment: sound/tracks in the corner space

Link to Map of Blood

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Writing

Map of Blood

Link to Bearing Gifts: The Myth of Pandora

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Writing

Bearing Gifts: The Myth of Pandora

Link to The Art of Image Description

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Event

The Art of Image Description

Feb 21–24, 2018 | Los Angeles, CA

Link to Disabling Surrealism: Reconstituting Surrealist Tropes in Contemporary Art

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Writing

Disabling Surrealism: Reconstituting Surrealist Tropes in Contemporary Art

Link to “Disability and Contemporary Art” Disability in American Life: an Encyclopedia of Concepts, Policies

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Writing

“Disability and Contemporary Art” Disability in American Life: an Encyclopedia of Concepts, Policies

Link to Art 1 – Art History: Ancient to Medieval

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Teaching

Art 1 – Art History: Ancient to Medieval

Link to ‘Disabling’ the Museum: Curator as Infrastructural Activist

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Writing

‘Disabling’ the Museum: Curator as Infrastructural Activist

Link to The Flesh of the World: An Empirical Turn toward Complex Embodiment

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Writing

The Flesh of the World: An Empirical Turn toward Complex Embodiment

Link to Along Disabled Lines: Claiming Spatial Agency through Installation Art

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Writing

Along Disabled Lines: Claiming Spatial Agency through Installation Art

Link to Curating New Openings: Rethinking Diversity in the Gallery

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Writing

Curating New Openings: Rethinking Diversity in the Gallery

Link to The politics of creative access: Guidelines for a critical dis/ability curatorial practice

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Writing

The politics of creative access: Guidelines for a critical dis/ability curatorial practice

Link to Automatisme Ambulatoire: Hysteria, Imitation, Performance

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Curating

Automatisme Ambulatoire: Hysteria, Imitation, Performance

Link to The Alterpodium: A Performative Design and Disability Intervention

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Writing

The Alterpodium: A Performative Design and Disability Intervention

Link to Sweet Gongs Vibrating

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Curating

Sweet Gongs Vibrating

Link to LOUD silence

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Curating

LOUD silence

Link to Disability and/as Artistic Practice

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Event

Disability and/as Artistic Practice

Nov 09, 2016 | Chicago, IL

Link to Hysterical Bodies: Disabling Normative Behavior in Contemporary Art

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Event

Hysterical Bodies: Disabling Normative Behavior in Contemporary Art

Mar 06–07, 2015 | San Diego, CA

Link to “The Phenomenology of Vision,” in Second Sight: The Paradox of Vision in Contemporary Art

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Writing

“The Phenomenology of Vision,” in Second Sight: The Paradox of Vision in Contemporary Art

Link to Art 7 – Women Artists in History

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Teaching

Art 7 – Women Artists in History

Link to Disability, Curating and the Educational Turn: The Contemporary Condition of Access in the Museum

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Writing

Disability, Curating and the Educational Turn: The Contemporary Condition of Access in the Museum

Link to ‘Disabling’ the Museum

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Event

‘Disabling’ the Museum

Mar 12, 2015 | Birmingham, UK

Link to What Can a Body Do? Investigating Disability & Contemporary Art

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Event

What Can a Body Do? Investigating Disability & Contemporary Art

Feb 17, 2012 | San Francisco, CA

News & Upcoming

Exhibition

"Automatisme Ambulatoire: Hysteria, Imitation, Performance"

September 06, 2019

–November 06, 2019

Owens Art Gallery, Mount Allison University

Sackville, New Brunswick, Canada

New Writing

"Reflections on Access: Disability in Curatorial Practice"

March 2019

Canadian Journal of Disability Studies, Vol. 8, No. 1 2019: Cripping the Arts in Canada

New Writing

"Disability and Contemporary Art" Disability in American Life: an Encyclopedia of Concepts, Policies

January 2019

ABC-CLIO

New Writing

"Mapping Hearing Impairment: Sound tracks in the corner space"

January 2019

The Routledge Companion to Sound Studies, Edited by Michael Bull, Routledge

New Writing

"Sweet Gongs Vibrating: The Politics of Sensorial Access"

January 2019

The Routledge Handbook of Disability Arts, Culture, and Media, Edited by Bree Hadley and Donna McDonald, Routledge

New Writing

"The politics of creative access: Guidelines for a critical dis/ability curatorial practice"

January 2019

Interdisciplinary Approaches to Disability Looking Towards the Future Volume 2, Edited by Katie Ellis, Rosemarie Garland-Thomson, Mike Kent & Rachel Robertson, Routledge

Event

Creative Time Summit Miami 2018

November 01, 2018

–November 03, 2018

Accessibility Advisor for the Summit Miami Advisory Council

Miami, Florida

Event

"Curating Disability, Access, and Advocacy"

May 24, 2018

Museum of Contemporary Art

Tucson, Arizona

Event

Recipient of California College of the Arts 2018 VisCrit Alumni Award

April 28, 2018

California College of the Arts

San Francisco, CA

Event

"Curating Disability, Access, and Advocacy," Wechselwirkungen – Kunst im Kontext der Inklusions debatte (Interdependencies – the role of art in the debate on inclusion) conference

April 06, 2018

–April 07, 2018

Museum Folkwang

Essen, Germany

New Writing

"The Phenomenology of Vision," in Second Sight: The Paradox of Vision in Contemporary Art catalogue, accompanies an exhibition of the same name at Bowdoin College Museum of Art (March 1 - June 3 2018)

April 2018

Scala Arts Publishers Inc.

New Writing

"A Reflective Portrait of Short Stature" in catalogue essay for "Mirror Mirror" exhibition at Main Gallery, curated by Anonda Bell

March 2018

Rutgers University, Newark, New Jersey

Event

"The Art of Image Description" College Art Association panel co-chaired by Rebecca M. Brown and Tirza Latimer, College Art Association

February 21, 2018

–February 24, 2018

Los Angeles Convention Center

Los Angeles, CA

Event

"Museums, Access, and the Ethics of Care," College Art Association panel co-chaired with Elizabeth Guffey

February 21, 2018

–February 24, 2018

Los Angeles Convention Center

Los Angeles, CA

Event

"Disability Aesthetics and Choreopolitics," College Art Association panel co-chaired with Leon Hilton

February 21, 2018

–February 24, 2018

Los Angeles Convention Center

Los Angeles, CA