“Bodies Talking: Show Probes Athleticism and Disability,” review of “The Flesh of the World” in NOW Toronto by Fran Schechter, July 2, 2015
My review of Tim Youd’s The Long Goodbye, held at the Museum of Contemporary Art in San Diego last summer, has now been published in the online journal “caa.reviews,” April 16, 2015
My new online exhibition, “Marking Blind” for Curated Space, Arts & Disability Ireland, has just been launched on March 10, 2015.
“A Loud Silence: Deaf artists explore sound,” review of LOUD silence in La Jolla Light by Will Bowen, February 11, 2015
“Disability, Curating, and the Educational Turn: The Contemporary Condition of Access in the Museum,” On Curating, Issue 24, December 2014
“Composing Dwarfism: Reframing Short Stature in Contemporary Photography,” The Review of Disability Studies: An International Journal, Volume 10, Issue 3 & 4, December, 2014
The curator’s tour of LOUD silence accompanied by an ASL interpreter: https://www.youtube.com/watch?v=dk9uA0w-eww
A small video of LOUD silence by CSUF newspaper “The Daily Titan”: https://www.youtube.com/watch?v=CpmXpzRDV8g
“From Outsider to Participant: Developmentally Disabled Dialogue in Socially Engaged Art,” Museums and Social Issues: A Journal of Reflective Discourse, Volume 9, No. 2, October, 2014.
Designer Sara Hendren has posted information about my Alterpodium project on her Abler site. Alterpodium is a custom-made, portable disability object that I use to “perform disability” during international and national conferences, symposiums and lectures.
“The Flesh of the World,” large-scale exhibition featuring 24 Canadian and international artists, co-presented by Justina M. Barnicke Gallery, and University of Toronto Art Centre at University of Toronto, and Doris McCarthy Gallery, at University of Toronto Scarborough, Canada, June 25 – October 10, 2015. Official exhibition website: http://fleshoftheworld.ca
Judge in the category of Visual Arts for the 2015 3Arts Artist Awards in Chicago, July 20, 2015. 3Arts is a nonprofit grantmaking organization that supports Chicago’s women artists, artists of color, and artists with disabilities working in the performing, teaching, and visual arts.
Curator’s talk, closing reception of “The Flesh of the World,” Doris McCarthy Gallery at University of Toronto, Scarborough, Canada, Thursday October 8, 5 – 8:30pm, with curator’s talk scheduled for 7pm with ASL interpretation.
Guest speaker for Radical Accessibility Convergence, Vancouver, BC, Canada, November 20-22, 2015, funded by Canada Council for the Arts and co-presented by Gallery Gachet and Contemporary Art Gallery, Vancouver.
“Disabling the Museum: Ethics, Pragmatics, Effects,” guest lecture and guest seminar instructor for MFA Curatorial Practice students at Maryland Institute College of Art (MICA), Baltimore, Maryland, December 3-4, 2015