“The (Narrative) Prosthesis Re-Fitted: Finding New Support for Embodied and Imaginative Differences in Contemporary Art,” The Journal of Literary and Cultural Disability Studies, Vol. 9, No. 3, October, 2015
“Review: The Flesh of the World at UTAC,” in The Newspaper, the University of Toronto’s Independent Paper, by Mary Ma, July 23, 2015
“Bodies Talking: Show Probes Athleticism and Disability,” review of “The Flesh of the World” in NOW Toronto by Fran Schechter, July 2, 2015
My review of Tim Youd’s The Long Goodbye, held at the Museum of Contemporary Art in San Diego last summer, has now been published in the online journal “caa.reviews,” April 16, 2015
My new online exhibition, “Marking Blind” for Curated Space, Arts & Disability Ireland, has just been launched on March 10, 2015.
“A Loud Silence: Deaf artists explore sound,” review of LOUD silence in La Jolla Light by Will Bowen, February 11, 2015
“Disability, Curating, and the Educational Turn: The Contemporary Condition of Access in the Museum,” On Curating, Issue 24, December 2014
“Composing Dwarfism: Reframing Short Stature in Contemporary Photography,” The Review of Disability Studies: An International Journal, Volume 10, Issue 3 & 4, December, 2014
The curator’s tour of LOUD silence accompanied by an ASL interpreter: https://www.youtube.com/watch?v=dk9uA0w-eww
A small video of LOUD silence by CSUF newspaper “The Daily Titan”: https://www.youtube.com/watch?v=CpmXpzRDV8g
“From Outsider to Participant: Developmentally Disabled Dialogue in Socially Engaged Art,” Museums and Social Issues: A Journal of Reflective Discourse, Volume 9, No. 2, October, 2014.
Designer Sara Hendren has posted information about my Alterpodium project on her Abler site. Alterpodium is a custom-made, portable disability object that I use to “perform disability” during international and national conferences, symposiums and lectures.
“On How to Curate Exhibitions”, guest lecturer, Art Department, MiraCosta College, San Diego, CA, November 8, 2015
Guest lecturer for Radical Accessibility Convergence, Vancouver, BC, Canada, November 20-22, 2015, funded by Canada Council for the Arts and co-presented by Gallery Gachet and Contemporary Art Gallery, Vancouver.
“Disabling the Museum: Ethics, Pragmatics, Effects,” guest lecture and guest seminar instructor for MFA Curatorial Practice students at Maryland Institute College of Art (MICA), Baltimore, Maryland, December 3-4, 2015
San Diego Art Institute Curator-in-Residence, December 2015 – March 2016
Chairing “Curating Diversity: Ideologies & Methodologies” panel, on behalf of Committee on Diversity Practices, College Art Association, Washington DC, February 4, 2016 Confirmed speakers include: Rocio Aranda Alvarado, Curator, El Museo del Barrio, New York; Lynne Cooke, Senior Curator, Special Projects in Modern Art, National Gallery of Art, DC; Candice Hopkins, Curator, Museum of Contemporary Native Arts, Santa Fe & Curatorial advisor, documenta 14; Jonathan Katz, Director of Visual Studies program, Department of Art, University of Buffalo; Maura Reilly, Chief Curator, National Academy Museum, New York