Amanda Cachia

T

Teaching

Art 7 – Women Artists in History

C

Curating

Sweet Gongs Vibrating

W

Writing

‘Disabling’ the Museum: Curator as Infrastructural Activist

W

Writing

Disability, Curating and the Educational Turn: The Contemporary Condition of Access in the Museum

W

Writing

Blind Orientations: Walking, Stumbling and Turning Towards New Points of View

C

Curating

The Flesh of the World

E

Event

Disability and/as Artistic Practice

Nov 09, 2016 | Chicago, IL

W

Writing

Disabling Surrealism: Reconstituting Surrealist Tropes in Contemporary Art

T

Teaching

Art 5 – History of Non-Western Art

W

Writing

The Flesh of the World: An Empirical Turn toward Complex Embodiment

E

Event

‘Disabling’ the Museum

Mar 12, 2015 | Birmingham, UK

W

Writing

Curating New Openings: Rethinking Diversity in the Gallery

W

Writing

Along Disabled Lines: Claiming Spatial Agency through Installation Art

C

Curating

What Can a Body Do?

W

Writing

Bearing Gifts: The Myth of Pandora

W

Writing

Curating Loose Definitions: Inspiration “outside” the Canon

C

Curating

LOUD silence

W

Writing

The Alterpodium: A Performative Design and Disability Intervention

W

Writing

“The Phenomenology of Vision,” in Second Sight: The Paradox of Vision in Contemporary Art

E

Event

Hysterical Bodies: Disabling Normative Behavior in Contemporary Art

Mar 06–07, 2015 | San Diego, CA

E

Event

‘Disabling’ the Museum: Curator as Infrastructural Activist

Mar 30, 2016 | London, UK

W

Writing

Map of Blood

C

Curating

Automatisme Ambulatoire: Hysteria, Imitation, Performance

W

Writing

Curating California: Expanding African American Art

E

Event

The Art of Image Description

Feb 21–24, 2018 | Los Angeles, CA

E

Event

What Can a Body Do? Investigating Disability & Contemporary Art

Feb 17, 2012 | San Francisco, CA

T

Teaching

Art 1 – Art History: Ancient to Medieval

T

Teaching

Art 2 – Art History: Renaissance to Contemporary